One of the finest screwed and chopped hip-hop songs I’ve had the pleasure to hear this year. The song is originally fast enough that when it’s slowed down it only goes a bit slower than an old school Run DMC joint. In the end, the beauty of the acoustic guitars and the epic synth line (it can be done without being cloying, take note Eminem) make this song sound more Pink Floyd than Big Moe.

Perhaps the thing that makes this screwed and chopped album so much better than anything I’ve ever heard in the past is the definite sense of hope underlying it, rather than the depression-inducing exaggerated slowed down tracks of DJ Screw and others.