| | what the best record associated with broken social scene in your opinion? |
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| | This one should be interesting to hear. Kevin Drew's style can just piss me off bad sometimes. I've always preferred Brendan Canning's work and wished for more from him. A full album of Kevin Drew seems painful. What is Newfeld up to? |
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| | Dear God! I just read the first two paragraphs of the Pitchfork review and had to say thank you to Derk Miller for not being that much of a hipster piece of blah blah blah... |
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| | motelmoka: For me, it's definitely still You Forgot It In People. I went through a stage with this record where I was sort of fighting what I'd come to think (that it's better, top to bottom, than BSS). I gave that up. I think it was last Tuesday. . . |
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| | barbarian: if you don't like Drew's prior material, I'm not sure you're gonna find much here to cherish. It's definitely his stuff smeared across your cheekbones. |
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| | I could never listen to either of BSS's albums front-to-back because they sounded so bloated and wandering to me (especially the second), even though they shone brilliantly in certain spots. I feel like they definitely could have benefited from a stronger unifying force.
Which is why I'd take this one over either of those--it has every bit the breadth of a BSS album, and yet it never sounds overstuffed. |
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| | not to be a dick, hardcoracle, but there are three BSS albums kicking around there - if the one you're missing is Feel Good Lost, it's a nice counterpoint to the "bloated" feel of the other two. |
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| | feel good lost is the kind of album - pleasant mood music where there are a thousand and one far far better pleasant mood music albums out there, rendering it utterly irrelevant. Kind Of Blue possibly sitting at #1 with savath & savalas sitting around #1001 |
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