April 24, 2007
extremely specific answers to very pertinent questions

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go on, you deserve it

so i just got back from the emp pop conference, which was sort of like a combo summit, fashion show, and collective lecture for music nerds of a wide variety of glasses styles. i gave my paper on north korean pop and it was fine. well, i’ll say this: i was trying to be my “awkward, uncomfortable, twitchy, unfiltered, detail-obsessed, noisy, painful, blood-drawing” self, and instead earned one lone “haunting.”

highlights: former voice writer and decibel contributor and hospital janitor scott seward delivering a narrative about his appreciation for contemporary metal that spilled pretty much every shade of emotional resonance with CALM and PURPOSE; joshua clover talking about pop in the moment of the fall of the berlin wall. honestly. deeply inspiring. and i don’t say it without a reason. scott was personal, funny, and super-informative without scrambling to offer some sorta thesis or big picture per se–he made me realize that MAKING connections and FORCING them are really different things. it was a brain at work, but a brain refreshingly without a world-gripping agenda. joshua demonstrated that talking impressionistically about history isn’t a categorical joke-less drag. i got a breeze in my heart.

i also finally got to meet carl wilson, who was every bit as engaged, engaging, sharp, and human as i expected. we stood outside talking about notions of “location” in music–writing about it, specifically, but also relating to it. anyway, it occurred to me that a shift had taken place: i no longer desire infinity in its traditional, misleading costumes! i am growing up! let’s celebrate by bringing things extremely close to home; like, if you want to come over, just call me:

go get your copy of steely dan’s aja. position your five stereo speakers so three are on one side of a wall and two tweeters are on the other, facing away from the wall. then turn on your artificial dolby stereo splitting and skip to “peg.” you will discover michael macdonald’s backing vocal in one of the tweeters and i am not lying when i say it will change your life, quite possibly in an irrevocable way. i have been searching for metaphors for the past 12 days: warmed butter? gravelly butter? buttergravel? steaming chocolate fondue with a smoothed beach stone dipped in it? if you can’t do that all, skip to minute 6:21 in this. though really, nothing beats 7:20 am, a half-finished bowl of greek yogurt, leaning over an upright piano with your face to a tweeter to hear michael macdonald wrapping close harmonies with all the easy flair of god.

GETTING WARMER at 6:56 pm, 0 Comments.


April 17, 2007
faceination

to prepare for KATE BUSH WEEK on stylus, i watched almost all of her videos, frame-by-frame, and if i still remembered all that deleuzeian hokum about FACIALIZATION and the CINEMATIC CLOSE UP, i would relate it; since i don’t, i rely on more human tricks.

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GETTING WARMER at 11:33 am, 0 Comments.


April 13, 2007
post-easter bloggerina bleats RESURRECTION

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paeanut butter worlds

oh good morning! i have been making the rests. doing the other little things at styhuts like here you go. i have also done a couple of things like burningly ambivalent reflections on billboard chart monsters and even my first thing on movies (you may have to register for this, but the oa is good people, and you really should read my friend and unruly half-mentor davey, writing on nashville hot chicken).

i’ve also started a new column thingy for profiles on stylus, with the first two being about Very Favorites marnie stern and max tundra. i also did one with john ryan from excepter, which is quite wily, and will be up soon.

blog needed breeze while i settled in, really. i’ve just been busy. and frankly, not listening to a lot of stuff i’ve needed to share–IF YOU HAVE NOT BOUGHT A ROBERT ASHLEY ALBUM SINCE MY LAST POST, I AM DOING SOMETHING WRONG–just lying low and drinking hot blood-orange tea and refinishing my floor and working new, fun jobs. today i spent all my money–really, almost all of it–on this, which is to say not on records.

here is what i need to say about the last few months:

- i may have given up on contemporary commercial hip-hop (except for the unfortunate yet hilarious genesis of the new catchphrase, “he shouldn’t'a made it rain then,” especially given that the whole rainmaking thing got a guy’s spine wrecked; also, that new cathedral-burner by young buck–someone help me with a title)

- i may have realized a latent, burning passion for the history and aesthetic of old-school hip-hop (erick sermon listhping “and if it geths warm, take off tha hot sthweata” on “it’s my thing”; this astonishingly great and likely ubiquitous book)

- i may have crossed over to believing that the needling miniatures of early mountain goats records are just slightly better than his more recent stuff, as far as morsels of domestic strife and walloping epiphanies go (cf. “nine black poppies” to “dilaudid,” though both cause a certain volume of inadvertent pants-pissing)

- what is contemporary indie

- why does boring music

- what is guitar

- who is i’m from barcenlona and how much will you give me for my promotional disc

this post is dedicated to lily kane from brooklyn and not the lily kane from veronica mars and lindsey millar and ‘dru beta for putting the heat on.

GETTING WARMER at 6:42 pm, 0 Comments.