May 23, 2007

Robag Wruhme Als Rolf Oksen - Bart Eins

Since I fashion myself as Beatz’s token hack, I spend my fair share of time poring over press releases to find out what music means when it doesn’t have lyrics to spell out those things we all like to obsess over - love handles, the “are two prunes too few or three prunes too many” debate and so on. Robag Wruhme might have cloned himself with the same sci-fi ether as Areal’s finest blurbs, but his alter-ego, Rolf Oksen, has an uncanny knack for self awareness that Areal might have missed when they described themselves as “advanced tech-electronic minimalism.” Rolf, as we’ve been introduced by the press release, “is so drunk, as drunk as a skunk! He has lost all control, and now his alter-ego Robag has to take control” (italics added for those keeping score on the sideline - we’re talking about an alter-ego’s alter-ego here).

Aside from the charming text, there’s something missing musically in this vodka-drenched haze. Blame it on the alter-ego, doppelganger, or your friendly neighborhood schizophrenic, but the shimmy drums of “Dopamin” are totally lost on the song’s threadbare hook. I can’t put my finger on it, but its too slow, too meandering, and its excessive glimmers makes the narrow scope of “Hakkatzen” feel like a virtue. There’s no reason to give “Hakkatzen” a backhanded compliment, though; it’s the highlight here, nuzzling like a sweater - prickling in all the right places as it expands and contracts. Rounding things off are three tracks of ambient found-sound which are more interesting in theory than practice. I spend enough time hearing the same cellphone buzz from telemarketers, so no thank you very much. Listening to “Rolf Auf Seinem Ausgukk,” the best of the ambient trio, I can only picture alter-ego Rolf, passed out on a train with his live recorder running, using the piece as his aural breadcrumbs back home.

Freude Am Tanzen / FAT 030
[Listen]
[Nate DeYoung]


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