September 11, 2007

Tussle - Alphabet Series R

Tussle have indie cred: Kit Clayton mastered their album, Rong music released their early EPs, and now Tomlab (home of Deerhoof & the Books) have offered a spot in their “Alphabet Series” of seven-inch EPs to the creative kraut/rock/frotting quartet. On the A, things start in a vein familiar to Trans-Am’s cosmically-inclined moments (like the opening to “Futureworld”), with a motorik jamathon that gathers steam and gradually gets ahead of itself.

It’s nice, but not as cute/irritating as the Yacht remix of “Second Guessing” on the flip, which takes a dosed-up kids choir and subjects them to a raucous attack of cut, paste, and loop. This being a 7″, both sides are pretty short, but Tussle have followed the injunction of Robert Plant and made it “every inch of their love”. To the metric among us, that’s 35.6cm of musical pleasure at stake here.

Tomlab / tom 89R
[Listen]
[Peter Chambers]


September 10, 2007

San Serac - Professional

It often seems that the sincere ones are the most susceptible to disappearing in the future. Is that ironic or realistic? I think back to the half-remembered NYC indie/new wave group My Favorite, who channeled and built upon the literate poetry and angst of The Smiths and New Order better than any other group I’ve heard. But there wasn’t anything flashy or shockingly innovative about My Favorite’s music, and the fact that they always wore their earnestness on their sleeves eventually sealed their fate to obscurity.

I bring up My Favorite in relation to San Serac because Professional makes a case for the two groups being kindred spirits (not to mention that SS did do a remix for My Favorite’s swansong, The Happiest Days Of Our Lives). However, San Serac, fitting more into the growing indie-dance community, has a more marketable flash in his pan to overcome tags of “sophistication” and “maturity”.

That flash comes from an deeper set of musical influences than your average Ed Banger types, moving beyond the standard Daft Punk aping and post-punk racket to also include a sincere love of ’80s R&B, Funk, Freestyle and, dare I say it, Yacht Rock. The slightly peevish vocals from SS mastermind Nat Rabb may not sound too different from a standard !!! or LCD Soundsystem record (even if he can do a good Bowie impression), but you never get the feeling he is putting you on, even as he is namedropping Luis Buuel films, rhyming “commission” with “extradition”, and describing his plans for nihilstic love. This unbridled affection manifests itself in small ways throughout the record, but one of the key tip-offs is “The Black Monolith”, a rather heartfelt quiet storm number that could’ve easily been played for raised eyebrows and theatrical pastiche.

If there’s one criticism I might throw at Professional, its that some of the arrangements might be a bit overcooked for dance floor play, a qualm that is actually resolved by the CD’s addition of four dubbed out tracks (billed “for DJs only”) that follow the album proper. For the most part, San Serac has me excited about a fusion of indie rock and dance that is more sophisticated than the Modular or Kitsun template. Garish and more distorted blog-house artists will get more words written about them, but you’d be hard-pressed to find a classier indie-dance record in 2007 than Professional.

Frogman Jake / FMJ 23
[Listen]
[Michael F. Gill]


September 9, 2007

The Week In Review: 2007, Weeks 33, 34, & 35

Beatzcast: Freestyle Essentials 01
Beatzcast: Freestyle Essentials 02
Beatzcast: Freestyle Essentials 03

Pikaya - Cambrium (Cadenza)
Genre: Minimal/Tech

Peter Chambers: This is not house so much as the ivy that clings to it.

Will Saul & Lee Jones - Hug the Scary
(Aus Music)
Genre: Minimal/Tech, Electro-House

Charts: August 23 2007

Gavin Muellers guide to Ghettotech

Future Loop Foundation - The Sea and the Sky (Louisiana Recordings)
Genre: House, Neo-Disco

Osborne - Outta Sight (Spectral Sound)
Genre: Acid, House

Nate DeYoung: If we’re heading into the last days of summer, then by all means let it be soundtracked by shimmering piano-house.

Brendon Moeller - Jazz Space (Third Ear)
Genre: Techno, Dub

False - False (M_nus)
Genre: Minimal/Deep

Andy Stott - Fear of Heights
(Modern Love)
Genre: Dub, Minimal/Deep

Peter Chambers: As a child, I used to build my Lego castles as per the instructions, but only the first time. The subsequent re-builds would slowly deviate, riffing around the structures of the original but adding, subtracting and supplementing elements, to the point where my later creations were unrecognisable as mutants of the original.

Tobias Thomas - Please Please Please (Kompakt)
Kaito - Contact to the Spirits (Kompakt)

Nina Phillips: Thomas is too busy crafting to see the dancers looking back at him from the floor. No wonder this was mixed livein an empty dance club in Cologne.

V/A - Grand Cru 2007 (Connaisseur)
V/A - Rekids One (Rekids)

Nina Phillips: If you build bangers, they will come.


Wiley - Playtime Is Over
(Big Dada)

Chris Gaerig: Playtime Is Over proves that Wiley truly does run the grime game. Hell, hes the only one left.

Arsenal - The Coming (Idjut Boys Mixes) (Play Out!)
Genre: Downtempo, Balearic

Beatzcast #47: Crambe Repetita

Deepchord Presents Echospace - The Coldest Season (Modern Love)
Genre: Dub, Techno

Todd Hutlock: Basic Channel effectively invented the wheel of this genre, but that doesnt mean that you cant admire the latest models to roll off the modern assembly line.


August 28, 2007

Future Loop Foundation - The Sea and the Sky

200712"HouseNeo-Disco

The introduction of the operatic to the electronic is invariably a mixed moment. For Mark Barrott (aka Future Loop Foundation), this moment may tremble full of horns, strings, and soaring spirits, but it also shivers in the fear of past monsters, which the same arrangements of instruments and intentions often produce. Heaven and hell: think Moby. Think BT late career BT. Are you inspired, or afraid?

Speaking of inspiration, the writer Paulo Coelho also seems to be a latent influence here, as there is something in Barrott’s music that strives to “overcome adversity”, “discover its true self”, and “become one with the infinite spirit,” all in the space of nine or so overblown minutes of symphonic dance. I remember a co-worker (who happened to be a BT fan) lending me a copy of Coelho’s The Alchemist. He kept badgering me: “What did you think? Didn’t you think it was wonderful?” I found myself at a loss. I thought it was one of the worst novels I’d ever read, but I also understood this as being in no small measure due to my hard kernel of cynicism and atheism, and I could also see just how much the book meant to him. “It was…good,” I said, “I think it taught me something new.”

Likewise with The Sea and the Sky: somebody’s going to get…something from all these swooshing strings and bombastic drum breaks. The original twists and builds to a rousing climax, like a sunburst (in extremely poor taste) that makes you think, “It’s coming, it’s coming!” Ashley Beedle’s remix re-structures matters within an epic house frame, offering patterns and repetitions that would make it the perfect incidental music for one of those highlight montages sports programs show during the Olympics. The Padded Cell remix dries things out a bit with a spare electro-disco re-slap, which, once the choir and the horns comes in, is the manic bearded other to Tolga Fidan’s depressive, clean-shaven horrorcore minimal. It’s actually not bad. Finally, TG’s “Angry Trucker Mix” offers up a very prog/minimal mix, replete with metallic tear-outs and a mids-heavy bass riff.

So, what can I say? Do you like BT? Do you like Paulo Coelho? Do you like your house painted in Wagnerian strings? Well then, maybe this one’s for you.

Louisiana Recordings / TAT 004V
[Listen]
[Peter Chambers]


August 24, 2007

Charts: August 23 2007

Michael F. Gill

Kettel - Marliesje [Marguerita Recordings]
San Serac - Fairlight [Frogman Jake]
The Replicants - Club Para (Matzak Instrumental Remix) [Gobatcha]
Paul Murphy - Withnail & I [Routine Records]
DMX Krew - Snow Cub [Breakin’ Records]
Rideout - Someone Special [Enterprises]
Cellophane - Music Colours (Parts 1-3) [Did Records]
Jones Girls - You Gonna Make Me Love Somebody Else [Philadelphia International]
Phortune - String Free [Hot Mix 5]
Fly Guy - Fly Guy Rap [P&P Records]


August 21, 2007

Beatzcast: Freestyle Essentials 02

Mixes2007

VARIOUS ARTISTS - FREESTYLE ESSENTIALS 02
Mixed by Michael F. Gill

Its not an exaggeration to say that almost every freestyle song deals with variations on love lost, love found, love lost again. But what sets the genre apart in this regard is how literal the emotional appeals are presented: no matter how overwrought and dramatic the vocals may seem, there is no winking or irony to be found on these records.

01. Debbie Harry - In Love With Love (Heart Of Fire Mix) - Geffen 1987
02. Connie - Funky Little Beat - Sunnyview Records 1985
03. Sly Fox - Como Tu Te Llama? - Capitol Records 1985
04. Noel - Silent Morning 4th and Broadway - 1987
05. Giggles - Love Letter Cutting/Atlantic - 1987
06. Will To Power - Dreamin’ - Epic 1987
07. Sweet Sensation Hooked On You Next Plateau 1986
08. Trinere - I’ll Be All You Ever Need - Jam Packed 1986
09. Sweet Sensation - Victim Of Love - Next Plateau 1987
10. TKA - Come Get My Love - Tommy Boy Music 1986
11. Pajama Party - Yo No Se - Atlantic 1988
12. Nayobe - Second Chance For Love - Fever Records 1986
13. Latin Rascals - Arabian Knights - Tin Pan Apple 1987
14. Sa-Fire - Let Me Be The One - Cutting Records 1987
15. Cover Girls - Because Of You - Fever Records 1987
16. Trinere - How Can We Be Wrong - Jam Packed 1986
17. Stevie B. - Dreaming Of Love - Lefrak-Moelis Records 1988
18. Stevie B. - In My Eyes - Lefrak-Moelis Records 1988
19. Johnny O. - Fantasy Girl - MicMac Records 1988
20. Stevie B - Spring Love - Lefrak-Moelis Records 1988


August 19, 2007

The Week In Review: 2007, Week 31 & 32

G-Man - Quo Vadis (Styrax Leaves)
Genre: Techno, Dub

Peter Chambers: These tracks lumber forward, only allowing the slow revelation of a timbro-melodic theme to happen “in the fullness of time.” It’s a strategy that gave rise to a lot of exceedingly dull records, but Varley knows exactly which tone-pots to touch, and how.

Adam Craft / Grindvik - Catch Me / NAND-Grind (Stockholm LTD)
Genre: Minimal/Tech, Techno

B12 - Practopia / Slope (B12 Records)
Genre: Techno, IDM/Experimental

Todd Hutlock: The infamous cover of the original Artificial Intelligence comp features a robot chilling out in an easy chair with headphones on. This could easily have been what it was listening to.

Various Artists - Death Is Nothing To Fear Vol. 2 (Spectral Sound)
Genre: Minimal/Tech, Techno

Argenis Brito - Micro Mundo (Cadenza)
Genre: Minimal/Tech

Nate DeYoung: With Micro Mundo’s highs never too far away from its lows, the Chilean techno drug is no longer as potent as it used to be.

Henrik B feat. Terri B - Soul Heaven (Boss)
Genre: House, Electro-House

Michael F. Gill: Let’s act like this review never happened.

Beatzcast #45: Crambe Repetita

Michael F. Gill’s featured article on Stylus: The Bluffers Guide To Freestyle

The Chemical Brothers - Do it Again (Remixes) (Virgin / Astralwerks)
Genre: Minimal/Tech, Electro-House

Beatzcast #46: Crambe Repetita

Album Reviews:

Lindstrom & Prins Thomas - Reinterpretations - reviewed by Mike Powell

Prins Thomas - Cosmo Galactic Prism - reviewed by Tal Rosenberg

Dixon - Body Language Vol. 4 - reviewed by Nina Phillips

V/A - Kompakt Total 8 - reviewed by Peter Chambers

V/A - Soundboy Punishments - reviewed by Nina Phillips

The Chemical Brothers - We Are The Night - reviewed by Dan Weiss

White Noise - An Electric Storm - reviewed by Mike Powell


August 13, 2007

Freestyle

20071980sProfile

Happy Monday to all. Be sure to check out Michael F. Gill’s featured article on Stylus this week: The Bluffer’s Guide To Freestyle


August 5, 2007

The Week In Review: 2007, Week 31

Burial - Ghost Hardware (Hyperdub)
Genre: Dubstep

Nick Sylvester: If you can imagine yourself cooking bacon in a forest somewhere at night, and every so often just shouting a bit from “Genie in a Bottle” because you thought you heard a motorcycle engine in the distance, you’re halfway there.

DJ Naughty - World EP (Moodmusic)
Genre: Electro-House, Neo-Disco

Italoboyz - Viktor Casanova (Mothership)
Genre: Minimal/Tech

Nate DeYoung: I’ll enjoy the sights of “fucked up girls trying to imitate the opera singer” as much as hearing the minimal percussion which delicately avoids overshadowing or under-lighting the track’s main attraction.

Ilya Santana - Quasar (Disciple of Groove)
Genre: Neo-Disco

Jupiter Black feat. Fred Ventura - Hold Me (Clone)
Genre: Italo

Michael F. Gill: Needless to say, if you found stuff like Ryan Paris, P. Lion, Ken Laszlo, and Eddy Huntington to be pure parmesan, you probably won’t be into this.

Beatzcast #44: Nate Deyoung

Nick Southall is feeling balearic while reviewing West Coast by Studio, and Future Rock by Strategy.

Nina Phillips is feeling trancey while reviewing Guy Gerber’s Late Bloomers and Stephan Bodzin’s Liebe Ist

Charles Merwin is hanging out in NYC, dancing with Tigercity

Todd Burns looks into the Outhud-ness of Delorean’s Transatlantic KK


August 3, 2007

Beatzcast #44: Nate Deyoung

Mixes2007

Stylus contributor Nate Deyoung presents a mix of recent dance tracks…

Tracklist
01: Otterman Empire - Private Land [buy]
02: Black Leotard Front - Casual Friday [buy]
03: Studio - Life’s a Beach (Todd Terje Remix) [buy]
04: Kelly Polar Quartet - Rhythm Touch [buy]
05: Phantom Slasher - Lasagna for 10 [buy]
06: Runaway - Ain’t Afraid to Beg [buy]
07: Map of Africa - Black Skin Blue Eyed Boys [buy]
08: Harry Nilsson - Jump Into the Fire [buy]
09: Etta James - In the Basement (Theo Parrish Re-Edit) [buy]
10: Lq - Lies (Theo Parrish Re-Edit) [buy]
11: Lee Douglas - Our Song 99 [buy]
12: Giorgio Gigli - Circle [buy]

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