From The Archives #2
From The Archive is a selection of dance related articles and reviews from the archives of Stylus Magazine.
Sami Koivikko - Salmiakki (Shitkatapult)
Todd Burns: Quite simply, tennis has become less of a game of finesse and more of overpowering menaces that demand respect less because of their innate ability to outthink the other player and more because of their ability to stifle any response. For a long time, this was the state of German techno…
Various Artists - Inflation (Mu Label)
Michael Heumann: This is, in short, a remix album where the source material is inaudible and the artists must use these inaudible sounds to create audible music.
Monobox - Molecule (Logistic Records)
Todd Burns: The true highlight of the album comes with “The Diamond Age,” which oddly enough sounds much more like early Autechre or Posthuman than any other obvious antecedents to Robert Hood’s brand of minimal techno.

On Second Thought: Thomas Brinkmann’s Studio 1 – Variationen / Concept 1:96:VR (Profan / M_nus)
Todd Hutlock: In the liner notes to the release, Brinkmann explains his system (which one can assume he used on both releases) in detail: “I used a self-made turntable with 30 kilo plate, and two SME 309 Tone Arms utilizing both Ortofon and Van den Hul moving-coil pickups. The interventions with the actual vinyl are few: I slowed down the speed of the record and used the left pickup (arm) for the left channel, and the right pickup (arm) for the right channel. It’s possible to hear a melodic displacement between the channels. With a little intervention and displacement of elements, the Concepts are sounding different. The same information they had before, but two times present. Like the idea of cloning and twins: still Richie’s DNA with a little mutation. A different groove.”

On Second Thought: Pete Namlook and Dandy Jack - Silent Music (Fax)
Dane Schultz: Silent Music could be seen as a stylistic pastiche of the entire FAX catalogue.