July 15, 2007

The Week In Review: 2007, Week 28

Peter Visti - Dolly (Mindless Boogie)
Genre: Neo-Disco, Balearic

Wild Rumpus - Musical Blaze-Up (Bitches Brew)
Genre: Neo-Disco, Reggae

Nate DeYoung: I can only imagine that the Rumpus duo of legends, DJ Cosmo and Gary Lucas, must have a winged costume or two in their closets.

DJ 3000 / Gerald Mitchell / Ellen Allien - Alia / Geloshai 1862 / Retina (Motech Limited)
Genre: Detroit, Techno

Pharoahe Monch - Body Baby Remixes (Island Records)
Genre: House, R & B

Mallory O’Donnell: This single is a mixed bag to be sure, but one worth investigating, especially for those in search of rap / house crossovers that take chances, rather than skating to the easy route.

cv313 - Dimensional Space (echospace [detroit])
Genre: Techno, Dub

Henrik Schwarz - Walk Music (Moodmusic)
Genre: House, Minimal/Deep

Dennis Ferrer - Son of Raw (Locodice Remixes) (Objektivity)
Genre: Techno, Minimal/Deep

Peter Chambers: Is LocoButtrich the king of mild pitch house?

Weekly Staff Charts

Beatzcast #41: Crambe Repetita

Andrew Gaerig looks at Klaus Dinger’s post-Neu! project La Dusseldorf

Brad Luen reviews the Disco documentary The Godfather of Disco


July 10, 2007

DJ 3000 / Gerald Mitchell / Ellen Allien - Alia / Geloshai 1862 / Retina

200712"TechnoDetroit

The fetish releases from the Motor City continue as DJ 3000’s (aka Frankie Juncaj) Motech label releases two limited-edition (at a mere 100 copies each) one-sided singles, capping the relative flurry of activity from the label in the last couple of months after a long layoff. Juncaj’s style fuses the sounds of his ancestral and birth homes: soulful keys and string sounds of classic Detroit mixed with tribal percussion inspired by the native music of Albania. It’s a rather unique mix, but on the first release here, the signature sounds are washed over a bit by Juncaj’s collaborators.

Gerald Mitchell (a fellow member of the UR/Los Hermanos family) adds a bit more techno thump than is necessary to the remix of the pair’s recent Alia single, effectively smothering its flavor; the addition of Diametric’s spoken word bits on “Geloshai 1862″ add some color, but not enough to make things memorable. Thankfully, Juncaj’s own remix of Ellen Allien’s “Retina” is full of the elements that make his best work so memorable. Led by a dramatic looped violin sample and laid over with his signature layered percussive elements, Juncaj makes the tune his own and then some. Anthemic, kinetic, and percolating in all the right ways, its a fantastic remix deserving of a much, much wider audience. Best of luck finding a copy, but if you do, clutch it with two hands.

Motech Limited / MT-LIMITED-1 / MT-LIMITED-2
[Listen]
[Todd Hutlock]


June 13, 2007

Audion - Noiser / Fred’s Bells

Since Beatz isn’t afraid of repeating itself, it’s worth pointing out that we really do think Audion is running neck to neck with sliced bread for what we prefer to gush over. We would feel totally justified doodling New Yorker comics where Matthew Dear (AKA Audion) gets to use the punchline “but I wrote Mouth to Mouth, bitch” in various settings in front of a Rothko, on top of the Sear’s Tower, or meticulously peed onto a wall in R. Kelly’s mansion. Dear’s recent releases and remixes have all but shown that he can turn water into wine, leap tall buildings in a single bound and even make the Chemical Brothers sound relevant again.

His latest two-sider will no doubt satisfy such high expectations. “Fred’s Bells” mumbles, slithers, and ties the bow with any narco-minimal heart in sight. The track’s boomerang effect, which generally defies the law of conservation, is as much about the competing basslines as the song’s loss of depth perception. “Noiser” returns to the dry-heaving and dry-humping jack that culminated in Suckfish. Set next to “Fred’s Bells,” though, it shows how Dears previous all-excess all-acid diet lead to the dreadful and desperate cul-de-sac of “how can I add even more?” Both with “Bells” and his recent string of songs, it sounds like he realized the question should’ve been “how can I make it sound like I’m adding even more?” It’s subtle, but important.

Spectral Sound / SPL-44
[Listen]
[Nate DeYoung]


February 16, 2007

Charts: February 16 2007

Todd Hutlock
Todd Sines - In_Come [Frankie Rec]
Safety Scissors - Where Is Germany and How Do I Get There? (Ellen Allien Germany Remix) [Bpitch Control]
Roxy Music - The Main Thing (Rub-N-Tugs Proton Saga) [Virgin]
Dominik Eulberg & Gabriel Ananda - Harzer Roller [Traum Schallplatten]
Pr Grindvik - Casio [Spectral Sound]
Heartthrob - Baby Kate (Robotman Remix) [M_nus]
Ripperton - Tainted Words [Connaisseur]
Audio Werner - Flat Funk [Circus Company]
Tracey Thorn - Its All True (Martin Buttrich Dub) [Virgin]
Marcellus Pittman - A Mix [Unirhythm]

Michael F. Gill
Goat Dance Goat Dance (Version) [Bear Entertainment]
Blackjoy Untitled (Kerri Chandlers Bigga Mix) [Freerange]
Tony Allen One Tree (Terrence Parkers Spirit of Unity Instrumental Mix) [Honest Jons]
PM Dawn A Watcher Point of View [Dont Cha Think] (Todd Terrys Hard House Mix) [Gee Street]
Escort - All That She Is [Escort]
Jo Squillo Eletrix Avventurieri [Polydor]
The Voyagers - Distant Planet [Discomagic]
Venus Gang Space Woman [P.B.I. Records]
Two Tons O’ Fun Got The Feeling [Fantasy Honey]
Tribe Koke [Probe]


December 22, 2006

2006 Year In Review: Individual Writer Lists

As a companion piece to our 2006 year in review, here are the individual lists/charts from each of our contributors. Happy reading…

(more…)


December 22, 2006

2006: The Year In Review

Welcome to the Beatz By The Pound year-end roundup for 2006, a veritable smorgasbord of lists, thoughts, and reflections about the current state of dance music. And while all of our writers handed in very diverse ballots, we were able to come to a consensus on a couple of key releases, producers, and labels. Let the madness begin

(more…)


September 29, 2006

Charts: September 29 2006

Guest Chart: Kiki

Mr Gone - Do 4 Love (Radio Slave Remix) [Rebirth]
Henrik Schwarz - Imagination Limitation [K7]
Stefan Goldmann - Sleepy Hollow [Innervisions]
Lazy Fat People - Shinjuku [Wagon Repair]
Jamie Jones - The Capsule [Freak n Chic]
Latex - The Porcupine [Rebelone]
Underworld - Pig Play (Buick Project Mix 2) [White]
Shonky - Closer to Pluton [Resopal]
Kiki - Trust Me [Bpitch Control]
Martin Buttrich - Full Clip [Planet E]

Todd Hutlock
InBetween DJs - Horns in the Attic [Wallshaker Music]
Raudive - Ultraviolet [Klang Elektronik]
Marc Houle - Edamame [Minus]
Andrea Parker - Ballbreaker [Mo’ Wax]
Cobblestone Jazz - India In Me [Wagon Repair]
Metope - I’m So Ready (Sleeparchive Remix) [Areal]
Christian Dittmann - Buena Decision [Echocord]
Paul Kalkbrenner - Queer Fellow (Ellen Allien & Apparat Remix) [Bpitch Control]
Fraktion - This Fever Works [Resopal Red]
Thomas Melchoir & Luciano - Father [Cadenza]

Mallory ODonnell
Morgan Geist - Crash Tracks EP [Metamorphic]
Daso - Daybreak (Oliver Koletzki Remix) [My Best Friend]
The Rice Twins - Reach for the Flute EP [K2]
Putsch 79 - Doin’ It Remixes [Clone]
Scarlet Smears - Spitfire [Blank Start]
Lindstrom - It’s A Feedelity Affair [Smalltown Supersound]
Scissor Sisters - I Don’t Feel Like Dancin’ (Linus Loves Remixes) [Polydor]

Michael F. Gill
Chris & Cosey - Walking Through Heaven [Rough Trade]
Rammellzee vs. K-Rob - Beat Bop (Instrumental) [Profile]
Ahzz - New York Moving [Land of Hits]
Curtis Mayfield - Superfly Soundtrack [Curtom]
The League Unlimited Orchestra - Love and Dancing [Virgin]
Legowelt - Bonn 1978 (Discodubmix) [Legowelt]
Dilo vs Gurtz - Piedras (Dandy Jack and the Latin Elvis Remix) [Roman,Photo]
Cohen vs Deluxe - Just Kick! (Carl Cox Mix) [Intec]
Kevin McKay - Summer Breeze [Muzik/Glasgow Underground]
V/A - Idol Tryout Two [Ghostly International]


August 11, 2006

Interview: Amy Grill / Speaking In Code

Stylus and Beatz By the Pound are very excited to bring you an interview with sQuare Productions Amy Grill, director and producer of the upcoming techno documentary Speaking in Code.

So, Amy, youre making a movie about electronic music. Why?

Speaking in Code is a techno movie thats not really about techno. Its about people. It is a feature length character driven documentary that follows a global cast of underground electronic music writers, DJs, producers, and label heads as they survive and thrive in the digital age.

Within the indie electronic music community there are many compelling characters. By tracking these characters Speaking in Code discovers some very human truths about subculture, independence, DIY determination, risk, obsession, and eccentricity.

The music (and the minimal scene) is a colorful, captivating backdrop and binding force for several intersecting character driven storiesthe film has a narrative arc to it based on the life changes and exciting, even funny moments that happen over the course of the year and a half that we will have spent making the film and following these people.

There are a lot of electronic music documentaries out there that have attempted to do one of a few things: capture the spirit of rave culture, survey a specific genre of electronic music, engage the viewer in DJ worship and/or crazy laser light fascination, or make some kind of grand statement about the significance of electronic music, but this film is nothing like any of that.

We are interested in exploring personality, motivation, and getting beyond the surface-y, questions and answers. The film invites the viewer in to experience being thereat the club, in the studio, in a forest, climbing a hill on the way to see chalk mines, visiting moms in the suburbs, driving through a white-out snow storm, performing at a huge festival, entering the secret underground club or illegal party, and on and on. We have unprecedented access and we get very close with the main characters in the film.

We want to surprise people and perhaps change their minds about electronic music or at least open their minds and show them something they didnt expect. This movie isnt just for the techno heads, its for the hip old ladies who love character-driven art house documentaries too.

What about 2005/2006 strikes you as the right time for this sort of film?

A film like this could have been made 10 or 20 years ago and although some of the themes and characters would have a different tone and purposemany similarities would still exist.

There is something special about right now thoughfrom a big picture historical perspective we are seeing the effects of the digital age that make advanced communication and sound technology very accessible. This has strengthened the possibilities for independent music and subculture and our main characters are living proof.

From a more localized perspective on the minimal scene and our charactersover the last year or two minimal techno has arguably become the dominant sub-genre in techno and it has been fun to explore the personalities in the minimal scene and experience the musics rise in popularity vicariously through our characters. Of course, its difficult to even know what minimal really is: is it a sound, an aesthetic, a lifestyle, a hairstyle, a look, or all those things combined perhaps? Some of the characters cant even be described as minimal at all, but they are somehow minimal by association or connection to the minimal scene. Musings aside, I have to emphasize this is not the what is minimal techno? film. Im sure there is a DVD project like that on the way soon, but we arent the ones making it.

Where all have you traveled to get footage for the film?

Weve been all over: Montreal, San Francisco, New York, Boston (I live in Boston), Barcelona, Berlin, Hamburg, Cologne, Jena, Amsterdam, Miami

Most of the film has been shotwhat techno celebs can we expect in the final cut?

Well, weve shot 217 hours of footage since we began production in May of 2005 and we hope to cull all of that into a feature-length film, so I hesitate to list everyone at this point, but certainly you can expect to see a lot from these people:

Robert Henke aka Monolake (co-creator Ableton Live)
Modeselektor, Bpitch Control
Ellen Allien, Bpitch Control
Wighnomy Brothers, Freude-Am-Tanzen
Bryan Kasenic (minimal techno promoter in NY)
Jimmy Johnson (owner of Forced Exposure)
Philip Sherburne (writer, DJ)
David Day (Label Manager and Marketing Director at Forced Exposure, DJ, writer, promoter)
Mike Uzzi aka Smartypants, Unlocked Groove
Dan Paluska aka Six Million Dollar Dan, Unlocked Groove
Tobias Thomas, Kompakt
David Prince, M3 Summit

Interviews / Appearances (it remains to be seen whether or not all of these people will make the final cut and we have interviewed many more people not included in this list to help us round out the story):/p>

Akufen
Deadbeat
Apparat
Wolfgang Voigt
Michael Mayer
Reinhard Voigt
The MFA
James Holden
Superpitcher
Isolee
Luomo
Anja Schnieder
Richie Hawtin
The Juan Maclean

Any surprising anecdotes that you can share with us (Vitalic actually is a robot, etc.)?

Too many stories to even tell. The whole film is like one big surprising anecdote, but a surprising anecdote with a point. ;)

What kind of role has Philip Sherburne played?

Philip is a character in the movie, and as a co-producer he has been part tour guide, advisor, consultant, and friend throughout the entire process.

Tell me about financing something like thiswhat sources are you relying on to keep it going?

Plastic, lots of plastic (as in credit cards) and a handful of small private investors and a community of online supportersalthough we are nearing the end of our credit limits and this last Europe trip tapped most of the small investments. So we are now really relying on grassroots fundraising online and also an upcoming benefit/screening/art party/happening here in Boston on August 26 at the sQuareone studio space in Fort Point / South Boston (New Englands oldest and largest artist community). We want to stay away from corporate sponsorship, so we are hoping that people who want to see the film made will help us make it. Anyone can donate any amount on our websitewe are offering screen credit in the film for any donation of $50 or more. The grassroots efforts are to make the film mirror the DIY attitudes youll see in the documentary.

We are also seeking a film producer to help us cultivate prospective investors and help manage the business end of the filmand most importantly we are looking for investorsbig and small.

We need another 25K in the very immediate future to finish production in the fall (Camera and equipment rentals, bus/train/plane tickets, gas, tape stock, the Director of Photographys day rate) and also to purchase a G5 and enough drive storage (several terabytes) to be able to cut the film. We are currently hobbling along with my laptop and a few Lacie Hard Drives. We also need to be able to pay an assistant editor to log the tapes.

It isnt cheap making a filmespecially when the locations are all over the world even if we eat on the cheap and stay with friends when we can. And, now Scott (our Director of Photography) is paidhe volunteered for a full year, but it is important to start paying him. Fortunately the most expensive part of the production is out of the waywe can see the light at the end of the tunnelwe just need a little more funding to get through the last few months of production and post production.

By May 2007. Then begins the festival circuit and search for distribution. We would like to see the film get international and domestic theatrical distribution, some broadcast play abroad, and a DVD release toowith lots of extras for the collector type.

Related Links
sQuare Productions
Speaking in Code @ MySpace
Photos from Speaking in Codes Production
Contribute to sQuare Productions [Todd Burns]


July 28, 2006

Charts: Best of 2006 (so far)

Ronan Fitzgerald

Loco Dice - Seeing Through Shadows [M_Nus]
Duoteque - Amyra [Boxer Sport]
Claude Vonstroke - The Whistler [Dirty Bird]
Gummihz - The First Time [Mobilee]
Fuckaponydelic - Switch on the Light [White]

Michael F. Gill

Albums
Luciano - Sci-Fi Hi-Fi Volume 2 [Soma]
Kiki - Boogybytes Volume 1 [Bpitch Control]
TBA Empty - Stupid Rotation [Max Ernst]
Barbara Morgenstern - The Grass Is Always Greener [Monika]
Herbert - Scale [!K7]

Singles / EPs
Sasse - Loosing Touch [Moodmusic]
Italoboyz - The Titty Twister [Einmaleins]
Chelonis R Jones - Deer in the Headlights Remixes [Get Physical]
Escort - Starlight [Escort]
Soulphiction - Masai Mara [Philpot]

Todd Hutlock

Albums
Magda - Shes a Dancing Machine [M_nus]
V/A - Interstellar Fugitives 2: The Destruction of Order [Underground Resistance]
Burial - Burial [Hyperdub]
Booka Shade - Movements [Get Physical]
Alex Smoke - Paradolia [Soma]

Singles / EPs
Jeff Mills - Natural World [Purpose Maker]
Audion/Ellen Allien - Just a Man/Woman [Spectral Sound]
Troy Pierce - 25 Bitches [Vols. 1 and 2] [M_nus]
DJ T vs. Booka Shade - Played Runner [Get Physical]
Sleeparchive - Radio Transmission [Sleeparchive]

Colin James Nagy

Marsen Jules - Les Fleurs [City Centre Offices]
Burial - Burial [Hyperdub]
Cobblestone Jazz - Dump Truck/Peace Offering [Wagon Repair]
The Knife - Silent Shout [Rabid]
DJ Koze - Kosi Comes Around Remixes Part 1 [Kompakt]

Mallory ODonnell

Albums
The Knife - Silent Shout [Brille/Mute]
Crowdpleaser & St. Plomb - 2006 [Mental Groove]
Ellen Allien & Apparat - Orchestra of Bubbles [BPitch Control]
Fuckpony - Children of Love [Get Physical]
Hot Chip - The Warning [DFA/Astralwerks]

Singles / EPs
Fred Falke - Omega Man [Work It Baby]
Sneak Thief - The Hollow Land [Creme Organisation]
Christopher & Raphael Just - Popper [Kitsune]
Lindstrom - Another Station [Feedelity]
Morgan Geist - Raremix [Environ]

Cameron Octigan

Gabriel Ananda & Cio D’or - Lauschgoldengel [Treibstoff]
Adam Beyer - Stereotypes [Cocoon]
Gui Boratto - Like You [Supermayer Remix] [Kompakt Pop]
Loco Dice - Orchidee [M_nus]
Misc. - Tanz Der Polymere [Hemmann & Kaden Remix] [Sender]

Nick Sylvester

01. The Knife Silent Shout [Rabid]
02. Delia & Gavin Relevee (DFA Remix) [DFA]
03. Belong October Language [Carpark]
04. Herbert Something Isnt Right [!K7]
05. Excepter Alternation [5RC]


July 14, 2006

Audion / Ellen Allien - Just A Man / Woman

200612"Techno

Ghostly Internationals Spectral Sound offshoot claims the hot collaboration of the summer with this clash of the minimal techno titans, wherein Audion (Matthew Dear) and Bpitch Control empress Ellen Allien each craft a track, then remix each others compositions. Their originals are as you would expect, with Dear using popping percussion, housey keyboard stabs, and some clutch fades and dropouts, while Allien answers with slighty harder beats and a streamlined, more European sound while maintaining the same less-is-more construction. Her take on Dears cut is like Nancy N Lee in space, with male and female vocal snippets (at the outset, the distorted male voice calls Ellen, while she coos Audion right back) rubbing each other up on Venus over a Morricone-style synth riff for an atmospheric trip. Meanwhile, Audions mix of Allien finds him using her sleek and slightly spooky template of sounds and adding his own snapping drum sounds, making a subtle monster of a track that builds to a noisy hum then dropping it all out in a killer percussion break at about the 5:30 mark. Pick your poisonthese tracks are all killers.

Spectral Sound / SPC-36
[Todd Hutlock]


— Next Page »