November 10, 2006

Alland Byallo / Ed Davenport - Buckets / Swantalk

Liebe Detail consolidate their reputation for quietly-confident minimal tech-house with another split/winner, this time from San Franciscan Alland Byallo and London’s Ed Davenport. Byallo’s “Buckets” is a pail full of finely twined synth lines. The business end sounds generically tech-mnml, but it’s the nicely placed melody that grooves and builds on the soundbed that keeps one coming back. It moves out of loop formation with a nod to Broker/Dealer or Mathew Jonson, then detunes and growls a little for the breakdown like a neat, house-trained version of Sweetlight’s “Abusator.” Davenport’s “Swantalk” spreads itself over the Ableton-standard length of nine minutes, but fortunately it’s fairly worth the time spent, as the track builds and breaks around a Luciano-ish mnmlatino melody that sings into the big spaces made by the slowly swaying groove.

Liebe Detail / ld13
[Listen]
[Peter Chambers]


October 20, 2006

Charts: October 20 2006

Mallory O’Donnell
My My - Songs for the Gentle [Playhouse]
Trentemoller - The Last Resort [Poker Flat]
Tussle - Telescope Mind [Smalltown Supersound]
Lil Louis - Blackout Phase 3 [Mathematics]
Hot Chip - Colours (Fred Falke Remix) [Astralwerks]
Lindstrom & Prins Thomas - Tempo Tempo [Eskimo]
Tony Allen - Moyege (Mark’s Disco Dub) [Honest Jon’s]
Brennan Green - Divisadero [Modal]

Ronan Fitzgerald
And Again - To The Moles and the Masses [Sender]
Heckmann and Kaufelt - Kookaburra (Knarz Mix) [AFU-Ltd]
Alland Byallo - Buckets [Liebe Detail]
Pascal Feos - Timeless [Synaptic]
Reynold - Over There (Donato Dozzy Mix) [Montrose]
My My – Moneybowl [Aus Records]
Alexis Tyrell - Rebecca Loos [Weave Music]
Daniela Stickroth - Ghost In The Attic (Dan Berkson and James What Mix) [Meerestief]
Chaton - Précis 2 [Plak]
Shonky - Solar [Substatic]

Todd Hutlock
Ric Y Martin - Sini Est [Perlon]
Andrew Weatherall - Edie Eleven [Rotters Golf Club]
Tony Allen - Moyege (Mark’s Disco Dub) [Honest Jon’s]
Matthew Dear - Dog Days (Pantytec Interpretation) [Spectral Sound]
Six Cups of Rebel - Arp She Said [Feedelity]
Plastikman - Plink Plonk [Minus]
Terrance Dixon - Minimalism [Utensil]
The Infiltrator - I’m In [Underground Resistance]
Renegade Soundwave - Space Gladiator (Dub) [Mute]
Shane Berry - Fillertet 2 (Gabriel Ananda Remix) [Trapez LTD]

Michael F. Gill
Was A Bee - On A Clear Day (You Can See Forever) [Schema]
Jesse Rose feat. Solid Groove & Jamie Anderson - Nice & Slow [Front Room Recordings]
Citizen Kain - Above The Influence (Oliver Koletzki Remix) [Regular]
Logistics - Call Me Back [Hospital]
Lady Saw - Sweetest [Soul Jazz]
Breeze - Get Back [Heartbeat]
Underground Resistance feat. Yolanda - Your Time Is Up [Underground Resistance]
Minimal Vision - Vertigo [Vibraphone]
Raven feat. Jocelyn Brown - So In Love [Silver Cloud]
Convertion - All I Want Is You [Sam Records]


March 24, 2006

Good Life

Last July I moved to “my city by the Bay” from Gainesville, Florida. When I got here, I was desperate for some good dance nights, or shows, or something. So, I wrote my friend Philip to ask his advice, seeing that he had just moved away. Much to my dismay, he tells me that there is really no techno/tech-house/micro-house type scene, and there are even fewer nights. But while I’m at it, I should check out Tweekin’ Records in the Lower Haight. I’m not sure what I was expecting, but it seemed that San Francisco must have more to offer than a small town in Florida. To be fair, America isn’t the first place that comes to mind for that sort of music anyway, and when I go to Amoeba the domestic house section is usually near the end of my list …you know, just in case there are some used Trax classics. But over the months I’ve realized that I was wrong. Very, very wrong.

New Year’s comes and I am disappointed with DJ celebrities, some of the best, and dying for a night with bass that will slug me in the chest. So, I check my email, and there is a message from one Chantilly Bass. She found me somehow, and figured out that we live in the same city. She tells me that I am crazy, and that this city is basically ready to blow up. Apparently I needed to learn about [Kontrol], Dirtybird Records, and, specifically, Claude Von Stroke. You may remember him for his track “Chimps” on the last Get Physical comp, or for the John Tejada remix of “Deep Throat.”

So, the following Wednesday we head to Blur for a night hosted by SF’s own Jeniluv and Cat. The guests of the night were Claude Von Stroke, Alland Byallo, and Justin Martin. Basically, Blur is this little bar on Post Street that has some of the cheapest drinks and best surprises around here. Once I went to see Juan Maclean DJ a house set, another time I went to go see Star Eyes spin an amazing, basically epic, set of Ghetto-Tech and Baltimore Club. So, I walk in and all of my wildest, most ridiculous, tech-head dreams come true. The place is packed with enthusiastic techies bouncing up and down in unison to the San Francisco specific brand of house and minimal.

See, the house here isn’t really house. In a conversation with Mr. Von Stroke last Friday he explained it to me like this, “techno is too serious and house is too gay.” While “Balearic” is probably a better word than “gay,” the relevance of that statement is intuitive. It’s true at times. Minimal house, especially in a city where house music is often equated to OM Records or the RuPaul remixes of the Castro, is a big part of the SF house scene that gets only a little attention. Don’t get me wrong, the first place I heard Madonna’s “Hung Up,” gleefully losing my shit, was in the Castro, and the gay dance culture there means a lot to a lot of people. Without it, San Francisco wouldn’t be the city that it is, and I am glad that things are the way they are. However, tech-house nights have been virtually non-existent. Secondly, it doesn’t even seem necessary to debate whether or not techno gets too serious. Honestly, that’s part of what I love about it, so I’m not going to deny it. In fact, I originally wanted to write this article about technology as a mode of production within techno, and how it is changing the landscape. There has always been a link between techno and technology, techno and abstract thought; it lends itself to that kind of contemplation freely. So, having someone behind the wheels of steel who understands that on a fundamental level is exactly what I want when dancing; the aesthetic of tech, the fun of house, and the humor to appreciate both simultaneously.

Also, Von Stroke runs a label called Dirtybird Records, which has put out records by CVS, Justin Martin, Sammy D, Worthy, and John Tejada. Single-handedly, the Dirtybird team has restored my faith in dancing.

Well, almost single-handedly…there is also a night in town called [Kontrol], which is fantastic. Since I moved here, they have brought Isolee, John Tejada, Pier Bucci, Damian Lazarus, and a handful of others. Now what’s impressive about this monthly is that the residents are often better than the headliners. My friend Chantilly and I spoken about this at length. It’s quite a feeling to leave an Isolee show and know that your local DJs were performing on exactly the same level as someone who has done so much for techno. These guys are really impressive, and they’ve always kept it minimal, dark, and incredibly fun. There aren’t many places you get to hear (a)pendics.shuffle, Pantytec, and Kammerflimmer Kollektief within a few moments.

So, after my first night of Dirtybird and [Kontrol] at Blur, I make it home at 7:30am just in time to have some coffee before I get ready for school and collapse on my bed. At the same time, I’d have it no other way. My body is half dead, but my dancing shoes have found new life.

[Cameron Octigan]