#033: Dancing Therapy (A Mix)
he Dancing Therapy mix started off as a sort of self-help mixtape for myself, but later evolved into a generally uplifting set of vocal oriented italo/synth-pop hits....
01: International Music System (I.M.S.) - Dancing Therapy - Bellaphon, 1984
No better way to start off than with this, the impetus for starting this mix. The seemingly naive lyrics about using music to escape from your troubles take more of a poignant turn here. "Fusion to the beat really clears my mind" sums up a great amount of dance music’s appeal in just one line.
02: The Creatures - Believe In Yourself (Special Remix) - Full Time, 1983
Not to be confused with the Siouxsie Sioux side-group, The Creatures’ biggest hit is a bouncy, heavy-synth number with endearing dorky vocals extolling self-esteem with perhaps too much zeal (the opening line being “Boy, don’t be so shy!”).
03: Taffy - I Love My Radio (European Mix) - Emergency, 1986
Probably my favorite latter-day Italo track, it hits many of the overblown hallmarks of the mid ‘80s (faceless vocals, huge synth-drums, chipper keyboards) while refusing to remain grounded to the template. Plus as a night owl myself, I can relate to the rather silly lyrics proclaiming love to a midnight radio DJ.
04: Brand Image - Are You Loving? - Il Discotto Productions, 1983
Il Discotto Productions were a high profile Italo label that briefly catered to the sci-fi/robotic side of the genre before moving more towards the candy-sweet pop end by the mid ‘80s. One of their big releases was “Are You Loving?” by the little-known Brand Image, which continues this mix’s focus on defiant/strong vocals and aggressive keyboards.
05: Alden Tyrell feat. Fred Ventura - Love Explosion 05 - Clone, 2006
“Love Explosion” was a cult hit for Alden Tyrell in the neo-italo/electro circuit ever since its release way back in 1999. It gained its popularity as an instrumental, so when Alden finally released his debut album Times Like These last year, he re-recorded it as a vocal version with well-known italo vocalist Fred Ventura. Tyrell is one of the very few neo-italo composers whose productions could nearly pass as vintage, and the fact that the vocal version is nowhere as sleek, icy, and chic as the instrumental is testament to this.
06: Fokewulf 190 - Body Heat - Market Records, 1984
“Hey! You! Take a look at me! Look me in the eyes, there is something new.” The second cut in this little trilogy of Fred Ventura tracks finds the dear Italian vocalist in a near desperate wail. While most lyrical subjects in Italo are lightweight and superficial (following in the Eurodisco tradition), the tortured passion of Ventura is very much an anomaly. I have no idea how well-known “Body Heat” (or as Ventura says—“Badi hit”) was before it ended up on one of the C-B-S Top 100 lists, but it surely is one of the most angsty and lyrically sound italo tracks I know.
07: Flexx - Love Theme From Flexxy-Ball - Hole, 1983
“Love theme…” is so close to the sound of “Body Heat” that it begs to be mixed in as the final Ventura vocal track in the trilogy. It’s a bit more on the uplifting side, and is probably responsible for naming the disco-friendly mail-order site Flexx.
08: Gary Low - I Want You - CAT Record, 1983
“I Want You” was a big hit among gay clubgoers in the ‘80s, and was recently heavily sampled by Miss Kitten and the Hacker for their Mental Groove single “The Beach.” It’s definitely got a summertime feel, and even if the cheeseball vocals take a while to warm up too, it remains a perennial club favorite.
09: Pineapples - Come On Closer (Extended Club Mix) - Danse, 1983
What can I say about this recently reissued track, probably one of my favorite singles of all-time, and one of the most beloved, uplifting italo tracks around? Its likely that the bizarre cocktail lounge croon of Douglas Coop elevates it from perky synthpop to a feel-good anthem, but explaining the rest of its magic is impossible: you just have to hear it for yourself.
10: Trilogy - Not Love - Il Discotto Productions, 1982
Another Il Discotto Production, and another favorite of mine that seems to be overlooked. In fact, I don’t think I’ve ever seen the vocal version of “Not Love” used over the instrumental. It’s a shame, because the vocal really buys into the melodrama of the arrangement, and nearly seems confrontational.
11: Ottawan - D.I.S.C.O. (Instrumental) - Carrere, 1979
Ok, OK, the original is a total novelty (and even uses the same bassline of their previous hit, “Hands Up”) but I was surprised how much calmer the instrumental version is after hearing it. It also provides a nice vocal break until the next track…
12: Jimmy Ross - Fall Into A Trance (Remix) - Quality/RFC Records, 1982
…where the vocals are back to being zealous again. Jimmy Ross was one of the few italo vocalists who put more of an American soul influence in his music, so it sort of helps that his English is so slurred and heavy handed: it often makes him sound out of breath with emotion. “Fall Into a Trance” was his second biggest hit next to the boogie disco of “First True Love Affair,” which was later remixed by Larry Levan. There’s a compilation CD on Unidisc of Ross’ entire work that is recommended if you want to hear more.
13: Alexander Robotnick - Intro for Live Performance - Crème Organization, 2005
Mr. Robotnick has been going through a revival lately, with two rarities compilations coming out in the past few years. “Intro for Live Performance” is from the second volume, put out last year by Crème, and while it may seem odd for someone to walk onstage to anything this noir-ish, it’s probably one of the most minimal tracks in his oeuvre.
14: Ministry - I Wanted To Tell Her - Arista, 1983
Ministry might be a surprising name here, but their first album “With Sympathy” was a dead ringer for a lot of the Human League-esque new wave going on at the time. “I Wanted to Tell Her” combines this upbeat synth approach with a bit of the funk A Certain Ratio was doing, and has a great vocal to boot.
15: Memory Control One (MC1) - Basic - Crash, 1984
This 1984 synth-pop single by the newly-feted Beppe Loda and Francesco Boscolo always sounds so triumphant to me, like it should soundtrack an athlete’s victory lap or the end of a sports movie. Hence, I’m placing it here as something of a coda to the mix, a sort of stand-alone resolution to the theoretical therapy of all the previous tracks.